tarkovsky : time-pressure


	tarkovsky : time-pressure

anatolant

7-14-2007 1:12 PM

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tags:

tarkovsky, film, analysis

anatolant says:

deleuzian POV? film.vtheatre.net/tarkovsky.html

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<div style="margin: 12px 0px; font-family: arial; color: #333333; background: #ffffff; border: solid 4px #e5e5e5; width: 100%; clear: left;"><div class="CM_CTB_Content_Wrap" style="margin: 0px; padding: 0px;background-color:#00CC00;"><div style="border-bottom: solid 1px #dcdcdc; white-space: nowrap; margin-bottom: 8px; background-color: #eeeeee ;background-image: url(http://www.clipmarks.com/images/source-bg.gif); background-repeat: repeat-x; height: 24px; line-height: 24px; vertical-align: middle; padding-bottom: 4px; color: #666666; font-size: 10px;" ><a href="http://clipmarks.com/clip-to-blog/" title="see clips that are hot right now"><img src="http://content.clipmarks.com/blog_embed/3bb666e4-c719-4c70-b5e7-c63f20b1fe59/A61DA521-D83A-41E9-A402-E4437D482A1F/" alt="" width="19" height="19" border="0" style="vertical-align: middle; margin: 0px 4px; display: inline; border: none; float:none;" /></a>clipped from <a title="http://www.horschamp.qc.ca/new_offscreen/deleuzian_pressure.html" href="http://www.horschamp.qc.ca/new_offscreen/deleuzian_pressure.html" style="font-size: 11px;">www.horschamp.qc.ca</a></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.horschamp.qc.ca/new_offscreen/deleuzian_pressure.html"><P><SPAN>Tarkovsky explains that editing cannot be 
    the dominant structural element of a film, as the protagonists of Soviet montage 
    cinema (Kuleshov and Eisenstein) maintained in the 1920’s. The film image 
    comes into being during shooting, and exists within the frame. As Donato Totaro 
    explains, editing brings together shots which are already filled with time 
    (1992, 24). The function of editing is to organize the <I>time-images</I> 
    into a wave structure inherent to film, that is, the <I>time-pressure</I> 
    wave. Tarkovsky’s concept of <I>time-pressure</I> is like a meteorological 
    <I>time-front</I> that propagates from shot-to-shot and throughout the film, 
    or a cardiopulmonary <I>time-pulse</I> that thrust against the arterial walls 
    of the scenes, bringing temporal oxygenation to the shots and overall meaning 
    to the film-form.</SPAN></P></blockquote></div><div style="margin: 0px 6px 6px 4px;"><table style="font-size: 11px;border-spacing: 0px;padding: 0px;" cellpadding="0" cellspacing="0" width="100%"><tr><td style="background:transparent;border-width:0px;padding:0px;">&nbsp;</td><td align="right" style="background:transparent;border-width:0px;padding:0px;width:107px" width="107"><a href="http://clipmarks.com/share/A61DA521-D83A-41E9-A402-E4437D482A1F/blog/" title="blog or email this clip"><img src="http://content7.clipmarks.com/images/c2b-foot.png" border="0" alt="blog it" width="107" height="17" style="border-width:0px;padding:0px;margin:0px;" /></a></td></tr></table></div></div>

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