<div style="margin: 12px 0px; font-family: arial; color: #333333; background: #ffffff; border: solid 4px #e5e5e5; width: 100%; clear: left;"><div class="CM_CTB_Content_Wrap" style="margin: 0px; padding: 0px;background-color: #ffffff;"><div style="border-bottom: solid 1px #dcdcdc; white-space: nowrap; margin-bottom: 8px; background-color: #eeeeee ;background-image: url(http://www.clipmarks.com/images/source-bg.gif); background-repeat: repeat-x; height: 24px; line-height: 24px; vertical-align: middle; padding-bottom: 4px; color: #666666; font-size: 10px;" ><a href="http://clipmarks.com/clip-to-blog/" title="see clips that are hot right now"><img src="http://content.clipmarks.com/blog_embed/04228a83-c6b9-494c-af32-b74ff743cc28/AC6311A4-028A-4966-A633-EB927C6D0B50/" alt="" width="19" height="19" border="0" style="vertical-align: middle; margin: 0px 4px; display: inline; border: none; float:none;" /></a>clipped from <a title="http://www.nytimes.com/2009/10/09/arts/design/09visions.html?pagewanted=1&ref=arts#" href="http://www.nytimes.com/2009/10/09/arts/design/09visions.html?pagewanted=1&ref=arts#" style="font-size: 11px;">www.nytimes.com</a></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/10/09/arts/design/09visions.html?pagewanted=1&ref=arts#"><NYT_HEADLINE type=" " version="1.0"> Renegade Apprentice </NYT_HEADLINE></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/10/09/arts/design/09visions.html?pagewanted=1&ref=arts#"><DIV class="byline">By <A title="More Articles by Holland Cotter" href="http://topics.nytimes.com/top/reference/timestopics/people/c/holland_cotter/index.html?inline=nyt-per">HOLLAND COTTER</A></DIV></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/10/09/arts/design/09visions.html?pagewanted=1&ref=arts#"><DIV class="timestamp">Published: October 8, 2009 </DIV></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/10/09/arts/design/09visions.html?pagewanted=1&ref=arts#"><P>The show is a find. The paintings, many from the Palace Museum in Beijing and the Shanghai Art Museum, are very fine, the Chinese equivalent of national treasures. The picture they give of the Qing dynasty artist Luo Ping is vivid and contradictory: he was devoutly religious and a social climber, an urban sophisticate who claimed to see ghosts; a brilliantly inventive painter who for years subordinated his art to the influence of an aged mentor. </P></blockquote></div><div style="margin: 0px 6px 6px 4px;"><table style="font-size: 11px;border-spacing: 0px;padding: 0px;" cellpadding="0" cellspacing="0" width="100%"><tr><td style="background:transparent;border-width:0px;padding:0px;">&nbsp;</td><td align="right" style="background:transparent;border-width:0px;padding:0px;width:107px" width="107"><a href="http://clipmarks.com/share/AC6311A4-028A-4966-A633-EB927C6D0B50/blog/" title="blog or email this clip"><img src="http://content7.clipmarks.com/images/c2b-foot.png" border="0" alt="blog it" width="107" height="17" style="border-width:0px;padding:0px;margin:0px;" /></a></td></tr></table></div></div>

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