Search Options
close
Search the following clips:
All Clips
Everyone's Clips
My Guides
Sign Up
Install
Learn More
Login
The Paris Review Author Interview Archive
madame travels
follow
1
5-6-2008 10:18 PM
280 views
Add a Comment
Login
to Comment. Not a member yet?
Sign up
Related Clips
The Fantastic World of Ray Harryhausen
The nightmare that is McCaskill
Gravity Defying Homes
Mass UFO Sighting Predicted - Oct 14, 2008
The Obama Doctrine
laws of the sea
Our "Digital Shadow" -a Mind-Bending Predi...
More clips from
madame travels
Burning Man 2008: A Retrospective in Images
Vice is fading fast in De Wallen, Amsterda...
New Cyber Laws in Thailand from 23 August:...
Today's Top Clips
The rival to the Bible
Our "Digital Shadow" -a Mind-Bending Prediction
Female Fighters: We Won't Stand for Male Dominance
Different nesting options :)
Layers of Red Cliffs on Mars (Photo)
The Surge has Worked
Clive Thompson: Why Veteran Visionaries Will Save the World
Bush snubs Iran breakthrough opportunity
Scientists Reach Hydrogen Storage Milestone
"Terrorist!" "Kill him!" - Anger growing at McCain rallies
visit the
Top Clips page
View the Top Clips from
May 6, 2008
Embed This Clip In Your Site...
<div style="margin: 12px 0px; font-family: arial; color: #333333; background: #ffffff; border: solid 4px #e5e5e5; width: 100%; clear: left;"><div class="CM_CTB_Content_Wrap" style="margin: 0px; padding: 0px;background-color: #ffffff;"><div style="border-bottom: solid 1px #dcdcdc; white-space: nowrap; margin-bottom: 8px; background-color: #eeeeee ;background-image: url(http://www.clipmarks.com/images/source-bg.gif); background-repeat: repeat-x; height: 24px; line-height: 24px; vertical-align: middle; padding-bottom: 4px; color: #666666; font-size: 10px;" ><a href="http://clipmarks.com/clip-to-blog/" title="see clips that are hot right now"><img src="http://content.clipmarks.com/blog_embed/203347b3-d659-4475-a102-a8bbdaa00df0/B9B40603-E077-48E9-B047-C1E4CB001C1F/" alt="" width="19" height="19" border="0" style="vertical-align: middle; margin: 0px 4px; display: inline; border: none; float:none;" /></a>clipped from <a title="http://www.theparisreview.com/viewinterview.php/prmMID/3970" href="http://www.theparisreview.com/viewinterview.php/prmMID/3970" style="font-size: 11px;">www.theparisreview.com</a></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.theparisreview.com/viewinterview.php/prmMID/3970"><TD valign="top"><IMG width="105" vspace="4" hspace="0" border="0" alt="W. H. Auden" src="http://www.theparisreview.com/images/media/3970_TN_auden-wh.gif" /><BR /><DIV>© Nancy Crampton</DIV></TD><TD width="2"><IMG width="2" height="1" border="0" alt="" src="http://www.theparisreview.com/images/spacer.gif" /></TD><TD width="100%" valign="top"><FONT>W. H. AUDEN</FONT> <TABLE cellspacing="0" cellpadding="2" border="0"><TBODY><TR><TD><B>The Art of Poetry No. 17</B></TD></TR></TBODY></TABLE></TD></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.theparisreview.com/viewinterview.php/prmMID/3970"><DIV><IMG border="0" align="absmiddle" alt="PDF" src="http://www.theparisreview.com/images/imgPDF.gif" /> <A href="http://www.theparisreview.com/media/3970_AUDEN.pdf">Download a PDF of the full interview<IMG border="0" align="absmiddle" alt="" src="http://www.theparisreview.com/images/btnOrderArrow.gif" /></A></DIV></blockquote><div style="border-bottom: solid 1px #dcdcdc; white-space: nowrap; margin-bottom: 8px; background-color: #eeeeee ;background-image: url(http://www.clipmarks.com/images/source-bg.gif); background-repeat: repeat-x; height: 24px; line-height: 24px; vertical-align: middle; padding-bottom: 4px; color: #666666; font-size: 10px;" ><a href="http://clipmarks.com/clip-to-blog/" title="see clips that are hot right now"><img src="http://content6.clipmarks.com/images/clip-icon.gif" alt="" width="19" height="19" border="0" style="vertical-align: middle; margin: 0px 4px; display: inline; border: none; float:none;" /></a>clipped from <a title="http://www.theparisreview.com/literature.php" href="http://www.theparisreview.com/literature.php" style="font-size: 11px;">www.theparisreview.com</a></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.theparisreview.com/literature.php"><TABLE cellspacing="0" cellpadding="1" border="0" align="left"><TBODY><TR><TD><A href="http://www.theparisreview.com/viewinterview.php/prmMID/4867"><IMG width="80" vspace="2" hspace="0" border="0" alt="Truman Capote" src="http://www.theparisreview.com/images/media/capote-t.gif" /></A></TD><TD><IMG width="5" height="1" border="0" alt="" src="" /></TD></TR></TBODY></TABLE><A href="http://www.theparisreview.com/viewinterview.php/prmMID/4867">TRUMAN CAPOTE</A> <B>1957</B></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.theparisreview.com/literature.php"><TABLE cellspacing="0" cellpadding="1" border="0" align="left"><TBODY><TR><TD><A href="http://www.theparisreview.com/viewinterview.php/prmMID/4738"><IMG width="80" vspace="2" hspace="0" border="0" alt="T. S. Eliot" src="http://www.theparisreview.com/images/media/4738_TN_eliot-t.gif" /></A></TD><TD><IMG width="5" height="1" border="0" alt="" src="" /></TD></TR></TBODY></TABLE><A href="http://www.theparisreview.com/viewinterview.php/prmMID/4738">T. S. ELIOT</A> <B>1959</B></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.theparisreview.com/literature.php"><table background="undefined" bgcolor=""><tr><TD valign="top"><TABLE cellspacing="0" cellpadding="1" border="0" align="left"><TBODY><TR><TD><A href="http://www.theparisreview.com/viewinterview.php/prmMID/5053"><IMG width="80" vspace="2" hspace="0" border="0" alt="Ralph Ellison" src="http://www.theparisreview.com/images/media/ellison-r.gif" /></A></TD><TD><IMG width="5" height="1" border="0" alt="" src="" /></TD></TR></TBODY></TABLE><A href="http://www.theparisreview.com/viewinterview.php/prmMID/5053">RALPH ELLISON</A> <B>1955</B> <BR />“[African-American folklore] is like jazz; there's no inherent problem which prohibits understanding but the assumptions brought to it.”</TD></tr></table></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.theparisreview.com/literature.php"><table background="undefined" bgcolor=""><tr><TD valign="top"><TABLE cellspacing="0" cellpadding="1" border="0" align="left"><TBODY><TR><TD><A href="http://www.theparisreview.com/viewinterview.php/prmMID/4954"><IMG width="80" vspace="2" hspace="0" border="0" alt="William Faulkner" src="http://www.theparisreview.com/images/media/faulkner-w.gif" /></A></TD><TD><IMG width="5" height="1" border="0" alt="" src="" /></TD></TR></TBODY></TABLE><A href="http://www.theparisreview.com/viewinterview.php/prmMID/4954">WILLIAM FAULKNER</A> <B>1956</B> <BR />“The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him.”</TD></tr></table></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.theparisreview.com/literature.php"><table background="undefined" bgcolor=""><tr><TD width="50%" valign="top"><TABLE width="100%" cellspacing="0" cellpadding="2" border="0"><TBODY><TR><TD valign="top"><A href="http://www.theparisreview.com/viewinterview.php/prmMID/5197">FRANCOIS MAURIAC</A> <B>1953</B> <BR />“Sartre expressed the despair of this generation. He did not create it, but he gave it a justification and a style.”</TD></TR></TBODY></TABLE></TD></tr></table></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.theparisreview.com/literature.php"><table background="undefined" bgcolor=""><tr><TD valign="top"><A href="http://www.theparisreview.com/viewinterview.php/prmMID/4933">DOROTHY PARKER</A> <B>1956</B> <BR />“Gertrude Stein did us the most harm when she said, 'You're all a lost generation.' That got around to certain people and we all said, 'Whee! We're lost.' ”</TD></tr></table></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.theparisreview.com/literature.php"><table background="undefined" bgcolor=""><tr><TD valign="top"><TABLE cellspacing="0" cellpadding="1" border="0" align="left"><TBODY><TR><TD><A href="http://www.theparisreview.com/viewinterview.php/prmMID/5114"><IMG width="80" vspace="2" hspace="0" border="0" alt="William Styron" src="http://www.theparisreview.com/images/media/styron-w.gif" /></A></TD><TD><IMG width="5" height="1" border="0" alt="" src="" /></TD></TR></TBODY></TABLE><A href="http://www.theparisreview.com/viewinterview.php/prmMID/5114">WILLIAM STYRON</A> <B>1954</B> <BR />On when he writes: “I like to stay up late at night and get drunk and sleep late. . . . The afternoon is the only time I have left . . . ”</TD></tr></table></blockquote></div><div style="margin: 0px 6px 6px 4px;"><table style="font-size: 11px;border-spacing: 0px;padding: 0px;" cellpadding="0" cellspacing="0" width="100%"><tr><td style="background:transparent;border-width:0px;padding:0px;"> </td><td align="right" style="background:transparent;border-width:0px;padding:0px;width:107px" width="107"><a href="http://clipmarks.com/share/B9B40603-E077-48E9-B047-C1E4CB001C1F/blog/" title="blog or email this clip"><img src="http://content9.clipmarks.com/images/c2b-foot.png" border="0" alt="blog it" width="107" height="17" style="border-width:0px;padding:0px;margin:0px;" /></a></td></tr></table></div></div>
Clipmarks
Home
New Clips
Top Clips
Dashboard
Popular Topics
News
Life
Science
Technology
Entertainment
Get Started
Sign Up
Install Clipping Tool
How Clipping Works
Clip-to-Blog™
ClipSearch
Tools and Resources
FAQ
ClipWeek
Top Clippers
Top Tags
Site Map
About Clipmarks
About Us
Contact
Blog
Copyright
Privacy
EULA
OK