TITIAN'S 'Ranuccio Farnese


	TITIAN'S 'Ranuccio Farnese

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11-1-2009 6:32 AM

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11-1-2009 11:08 AM

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Louvre was one of my favorites stops when I was in Paris a few years ago.

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</DIV></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/10/31/arts/31iht-melik31.html?ref=arts&pagewanted=print"><DIV class="timestamp">October 31, 2009</DIV></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/10/31/arts/31iht-melik31.html?ref=arts&pagewanted=print"><DIV class="kicker"><NYT_KICKER>Review</NYT_KICKER></DIV></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/10/31/arts/31iht-melik31.html?ref=arts&pagewanted=print"><NYT_HEADLINE type=" " version="1.0">
Titian’s Masterful Penetration of the Human Soul
</NYT_HEADLINE></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/10/31/arts/31iht-melik31.html?ref=arts&pagewanted=print"><DIV class="byline">By SOUREN MELIKIAN</DIV></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/10/31/arts/31iht-melik31.html?ref=arts&pagewanted=print"><P>PARIS — The Louvre Museum struck gold with the fascinating show featuring Titian and the two most important painters of the next two generations who tried to emulate him. </P></blockquote><div style="height: 2px; font-size: 2px; background: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote style="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" cite="http://www.nytimes.com/2009/10/31/arts/31iht-melik31.html?ref=arts&pagewanted=print">Titian was over 50 when he depicted in 1542 the hopeful innocence of extreme youth. Despite the self-assurance that his privileged social background would have induced in him, Ranuccio Farnese, who is portrayed in his early teens, exudes a mix of happiness and freshness that says all about Titian’s depth of understanding of human feelings irrespective of age.</blockquote></div><div style="margin: 0px 6px 6px 4px;"><table style="font-size: 11px;border-spacing: 0px;padding: 0px;" cellpadding="0" cellspacing="0" width="100%"><tr><td style="background:transparent;border-width:0px;padding:0px;">&nbsp;</td><td align="right" style="background:transparent;border-width:0px;padding:0px;width:107px" width="107"><a href="http://clipmarks.com/share/BA56F48D-8990-46E7-8DB2-D2BEC03B47DF/blog/" title="blog or email this clip"><img src="http://content8.clipmarks.com/images/c2b-foot.png" border="0" alt="blog it" width="107" height="17" style="border-width:0px;padding:0px;margin:0px;" /></a></td></tr></table></div></div>

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