clipped from movies.nytimes.com

At times this adaptation of Roald Dahl’s slender anti-fable — truer to the spirit than to the letter of the source — does not even look like a movie. In spite of the pedigreed voices (Meryl Streep and Bill Murray, along with George Clooney in the title role), it feels more like an extended episode of what progressive educators call imaginative play. The sets might just as well have been built out of available household stuff, the stiff figurines animated and ventriloquized on a classroom or bedroom floor by precocious children.

All of which may only be another way of saying that this is a Wes Anderson film.

His live-action subjects often move like stop-motion figures through landscapes that resemble drawings and models more than real places. (Think of the cutaway ship set in “The Life Aquatic With Steve Zissou.”) There is a deadpan, understated quality to his performers that also suggests puppetry, and he shows a stubborn reluctance to let story take precedence over style.