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POPSWilhelm L. Wilson / Charles E. J. Tilton: Modernism in the works of Glass 1. Discourses of rubicon 2. Sontagist camp and the deconstructive paradigm of consensus 3. Contexts of defining characteristic 4. The deconstructive paradigm of consensus and textual postcultural theory 5. Joyce and neosemioticist cultural theory 6. Narratives of rubicon More detailed technical information may be found in Monash University Department of Computer Science Technical Report 96/264: “On the Simulation of Postmodernism and Mental Debility Using Recursive Transition Networks”.
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POPS“A Tool to Deceive and Slaughter“ Writer Andrew Sargus Klein offers some additional context for the sculpture in this excellent post at SpliceToday, in which he references both Baudrillard and Hirst, and explores contemporary concepts of ownership and worth: “A Tool to Deceive and Slaughter” is tangibly linked, via Ethernet, to the intangible world of taste, aesthetics and worth. It doesn’t matter if the work becomes astronomically valuable—you’re legally required to keep putting it up on eBay once a week until someone else buys it. The argument is you can’t own anything conceptual, neither in copyright or theoretical terms, and the artwork’s logistics ensure that no third party—the highly ridiculous art market—can change that.
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POPSAugmented Reality "as a way to expand the real-world." Jean Baudrillard didn't have a point to make did he ...
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POPSPhoto - Graphy .. the Writing through Light What is at stake (at play, en jeu) is the place of reality, the question of its degree. It is perhaps not a surprise that photography developed as a technological medium in the industrial age, when reality started to disappear. It is even perhaps the disappearance of reality that triggered this technical form. Reality found a way to mutate into an image. This puts into question our simplistic explanations about the birth of technology and the advent of the modern world. It is perhaps not technologies and media which have caused our now famous disappearance of reality. On the contrary, it is probable that all our technologies (fatal offsprings that they are) arise from the gradual extinction of reality.
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POPSSingularities vs Alternatives From "The Violence of the Global" by Jean Baudrillard, Translated by François Debrix, Initially published as "La Violence du Mondial," in Jean Baudrillard, Power Inferno, Paris: Galilée, 2002, pp. 63-83.
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